The second volume of Film as Political School presents the first English translation of Gani Bobi’s critique of manipulations in the media regarding Kosovo in the late eighties, together with Sezgin Boynik’s extensive analysis of Srđan Karanović’s experimental film ‘Za Sada Bez Dobrog Naslova’ ('A Film without a Name') made in 1988 on Albanian-Serbian relations

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The book was published by GKK on the occasion of the project Palimpsest of History. 

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Limits of Representation was edited by Sezgin Boynik and designed by Bardhi Haliti.